Bear Gardens/Hope Playhouse Collection

Selective Allusions and Reminiscences

The numerous literary allusions as well as foreign and domestic eyewitness descriptions of activities at the Bear Garden from the mid-sixteenth century onwards are beyond the scope of this collection. E.K. Chambers included a generous sampling of eyewitness accounts in his chapter on the Hope playhouse -- see Elizabethan Stage, vol 2, especially pp 454–7 -- but a systematic search of continental as will as British archives would be needed to expand our knowledge of the Bear Garden's history from the vantage point of individual audience members. Only a few representative instances are included in this appendix therefore, with some further notices quoted in the Introduction: History of Entertainment.


Similarly, literary allusions are numerous, so only a few early and later quotations from period print sources are provided. Fuller discussion of plays featuring bears in the Shakespearean era can be found, for example, in Andreas Höfele's study, Stage, Stake, and Scaffold: Humans and Animals in Shakespeare's Theatre (Oxford, 2011) and in Barbara Ravelhofer's '"Beasts of Recreacion": Henslowe's White Bears,' English Literary Renaissance 32. 2 (2002), 287–323.

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Robert Crowley, One and thyrtye Epigrammes

STC: 6088.3

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sigs Biii verso–Biiii verso

...

Of Bearbaytynge.

What follye is thyse
to kepe wyth daunger,
a greate mastyfe dogge
and a foule ouglye Beare.|
And to this onelye ende
to se them two fyght,
Wyth terrible tearynge
A full ouglye syght
And yet me thynke those men
Be mooste foles of all
Whose store of money
is but verye smale.
And yet euerye sondaye
they wyll surelye spende,
One penye or two
the bearwardes liuyng to mende.
At Paryse garden eche sondaye
a man shall not fayle,
To find two or thre hundredes
for the bearwardes vaile.
One halpenye a piece
they vse for to giue
When some haue no more
in their purse I beleue.
Well, at the laste daye
theyr conscience wyll declare
That the pore ought to haue
all that they maye spare. |
For God hathe commaunded
that what we maye spare,
Be geuen to the pore
that be full of care.
If you giue it therefore
to se a Beare fyght,
Be ye sure goddes curse
wyl vpon you lyght.

...

  • Marginalia
    • Parise
      garden
    • Ecclesiastes iiii
  • Footnotes
    • What: ornate block capital letter W
  • Endnote

    The printer has mistakenly used 'Iiiii' for 'Biiii' of the signature.

  • Document Description

    Record title: Robert Crowley, One and thyrtye Epigrammes
    Publication: STC
    Publication number: 6088.3

    Robert Crowley (c 1517–88) was a printer, protestant preacher and sometime poet active in mid-sixteenth century London. Originally from Gloucestershire, by 1546 he had arrived in London, where he established a print shop in Holborn between 1549 and September 1551, when he was ordained deacon in the Church of England and abandoned his publishing activities. Of the nineteen texts he published, the most notable was the first complete version of Langland's The Vision of Pierce Plowman. Others included 'works of formal theological controversy, combining firm protestantism with compassion for the oppressed commons; but he specialized in the sale of inexpensive octavo chapbooks written in doggerel verse, and some of the earliest Welsh books, including William Salesbury's translations of the gospels (1551)'; see further Basil Morgan, 'Crowley, Robert (1517X19–1588), author, Church of England clergyman, and printer,' ODNB, accessed 23 December 2022, and John N. King, 'Robert Crowley: A Tudor Gospelling Poet,' Yearbook of English Studies, 8 (1978), 220–37.
    'Of Bearbaytynge' is one of thirty-three (not, as the title suggests, thirty-one) moralizing epigrams illustrating various human vices that found a popular audience and was reprinted several times in the sixteenth century. The epigrams have also been published in The Select Works of Robert Crowley, J.M. Cowper (ed), EETS, extra series, no 15 (London, 1872), 16–17.

    One and | thyrtye Epigrammes wherein are | brieflye touched so manye abuses, that | maye and ought to be put away. | Compiled and Imprinted by | Robert Crowley, dwel= | inge in Elye rentes. | in Holburne. | Anno domini. | 1550. | i.Cor.xiiii. | What so euer ye do, let the same | be done to edifie wythall. | Gala vi. | If I shoulde study to please men: than | coulde I not be the seruaunt of Christe. STC: 6088.3.

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Alessandro Magno's Journey in England

Folger Shakespeare Library: V.a.259

ff 169–9v ( August)

...

Hanno passato il fiume in un certo loco forse ducento cani richiusi uno separato dall'altro in alcune piciole casele di tauole, e sono de quelli che usiamo a Venetia alla caccia de tori, Hanno anco in un'altra casa molti orsi, et in un'altra alquanti tori saluatici, e nel mezo un loco rittondo circondato de palchi, con li suoi coperti per la pioggia, e per il sole, oue ogni domenica amaestrando li cani si prende un solazzo ‸⸢grande⸣ pagando a star a basso uno denarò, che sono s.2 e doi ad ascender nelli palchi. El solazzo è che ad hora di uespro cominciando fino alla sera ui fanno bellissime caccie. prima menano in esso loco che è richiuso attorno, e non se ui puo uscire se non aprono alcune porte menano dico<..> uno caualo di poco pretio con tutti li suoi fornimenti, et una simia in sella, poi quattro, o sei cani delli piu giouani con li | quali danno uno assalto, e li cambiano, conducendone delli altri piu esprimentati, nella qual caccia e bellissimo uedere el cauallo fugir trando calci, e mordendo, e la simia tenersi forte alla sella, et cridare molte uolte essendo morduta, nella qual caccia poi che hanno intertenuto un pezzo li circostanti con morte spesso del cauallo, conduttolo fuori ui introducono alquanti orsi hora uno alla uolta, e quando piu insieme, ma questa caccia non è molto bella da uedere. Vltimamente poi ui mettono un toro saluatico, e lo ligano con una corda cerca dua passa longa ad un palo fitto nel mezo, e questa caccia piu bella da ueder dell'altre, e con piu pericolo de cani delle altre, delli quali molti ne sono feriti, e morti ‸⸢e⸣ dura fin sera....

  • Marginalia
    • stale da cani, e caccie di essi
    • The dog-stalls, and the baiting of the dogs
  • Footnotes
    • uno: written over another word
  • Record Translation

    ff 169–9v

    ...

    Across the river in a certain place they have perhaps two hundred dogs shut up, each one separated from the other in certain small compartments made of boards, and they (ie, the dogs) are those which we use in Venice in bull-baitings. They also have in another house many bears, and in another some wild bulls, and in the middle is a circular space surrounded by stands with their awnings/covers for the rain and for the sun, where every Sunday in the training of these dogs one takes great entertainment/pastime, paying a penny to stand below (which is s.2) and two to go up into the stands. The sport runs from the vesper hour until the evening; and there they put on very fine baitings. First they lead into this space, which is closed about, and one cannot leave it if they do not open certain gates, they bring in, I say, a horse of little value with all its trappings, and a monkey in the saddle, then four, or six of the younger dogs, with which they make an attack, and (then) they change them, bringing in other more experienced ones, in which baiting it is splendid to see the horse flee, kicking its hooves, and biting, and to see the monkey hold on tightly to the saddle, and scream, many times being bitten, in which baiting, after they have entertained the bystanders for a while, often with the death of the horse, it is removed (from the arena, and) there they bring in some bears, now one at a time, and then several together, but this baiting is not very fine to watch. Finally they then bring in a wild bull, and they tie it with a rope about two paces long to a stake fixed in the middle, and this baiting is finer to watch than the others, and with more danger for the dogs than the others, many of which are wounded and die, and it lasts until evening...

  • Endnote

    Dawson explains Magno's valuation of the English penny in Italian terms as follows: 'Magno here (as elsewhere in the MS) uses a symbol impossible to reproduce which appears to stand for soldi di piccoli. The denaro, which was not a specific Italian coin, he equates here with the penny (as Florio also does in Queen Anna's cw World of Words, 1611) and explains it, apparently, as equivalent to two soldi di piccoli. The penny in the 1560's contained .48 grams of pure silver, and two soldi di piccoli were equivalent to about .5 grams' ('Bull-Baiting,' p 98, n 1).

  • Document Description

    Record title: Alessandro Magno's Journey in England
    Repository: Folger Shakespeare Library
    Shelfmark: V.a.259
    Repository location: Washington, D.C.

    Alessandro Magno was a young Venetian merchant who made four voyages in the mid-sixteenth century: two to Cyprus (1557–8, 1558–?60), a third to Alexandria (1561–2), and finally to Spain, England, and Flanders, with an overland extension to Germany and Brescia (1562). He sailed west from Venice on the Madonna Santa Maria da Loretto on Sunday, 1 March 1561/2, reaching the River Thames on the 12th or 13th of August in the same year.

    The manuscript journal became part of Matteo Luigi Canonici's collection by the eighteenth century and was later purchased by the Rev Walter Sneyd in 1835. After his death in 1888, it was acquired by T. Thorp, the bookseller, who subsequently sold it to Henry Folger in 1924. See further Caroline Barron et al, 'London Journal,' (especially p 139, n 11), where the London section of the voyage (ff 146–79) is translated and edited. As the editors note: 'There are a number of indications that the work was written by someone to whom it was dictated. The volume is unfinished and although the writer left spaces for drawings, not all of these have been executed, but one or two have been beautifully finished in watercolour' ('London Journal,' p 136). See also Giles Dawson who published this record, with a translation by Charles S. Singleton, and a reproduction of the Bankside section of the so-called Agas map, Civitas Londinum (1633), showing two arenas, in 'London's Bull-Baiting and Bear-Baiting Arena in 1562,' Shakespeare Quarterly 15.1, 97–101. See also P&P where images are included from the Agas map and William Smith's equally impressionistic sketch of two bullbaiting and bearbaiting arenas on Bankside in The Particular Description of England (1588).

    The transcription of the Italian has been checked and translated by Emily Mayne.

    1565; Italian; paper; ii + 283; 204mm x 154mm; modern pencil foliation 1–177, 177b, 178–283 (ff 59–64, 195, 246v–83v blank); some ink or watercolour sketches; many leaves stained, some water damage on lower edges, ff 196–83; bound in stiff parchment, handwritten ink title on spine: 'Relazioni <...>.' Formerly bound with a ten-leaf MS entitled 'A Note of such passages as haue beene omitted In, and I haue seene since the Printing of Stowes Suruay of London in 4o. 1618, and this Cronicle at large. 1631,' which was removed from the volume and is now MS V.b.275.

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Edward Hake, Newes out of Powles Churchyarde

STC: 12606

sigs Evj verso–Evij (Fifth Satyr)

...

What else but gaine and Money gote
maintaines each Saboth day
The bayting of the Beare and Bull?
What brings this brutish play?
What is the cause that it is borne,
and not controlled ought,
Although the same of custome be,
on holy Saboth wrought?
Now sure I thinke tys gaine or spite,
gainst good and godly lyfe:
It seemes it is t'ynuegle men,
whyles Gods worde is so ryfe:
I cannot any where perceyue
where gaine is gotten well:
I can not see where well tys spent,
I thinke no man can tell |
Or iustlie saye, here goeth one
(for most part now I meane)
That iustly lyues and leades his lyfe:
that doth to vertue leane.

...

  • Marginalia
    • Beare bayting on the Saboth day.
  • Document Description

    Record title: Edward Hake, Newes out of Powles Churchyarde
    Publication: STC
    Publication number: 12606

    Edward Hake (fl. 1564–1604) was a lawyer and puritan who held various offices in the town of Windsor, becoming mayor in 1586. Much of his satirical poetry dates from his earlier years as a student at Barnard's Inn, including the '8 Satyrs' of Powles Churche Yarde a Trappe for Syr MONYE, which was first entered in the Stationers' Register in 1567. No copy of the first edition is known, so the second edition, with a dedication to Robert Dudley, earl of Leicester, is used here.

    Louis Knafla offers the following description of Hake's work: 'The eight satires take the form of a dialogue between Bertulph and Paul in the aisle of St Paul's Cathedral, London. They denounce clerical and legal abuses, lawyers who obstruct justice and rack- rent their tenants for monetary greed; physicians, apothecaries, and surgeons who work for profit and not for health; merchants who promote vain luxuries rather than useful goods; and the dangers of spendthrifts, bankrupts, bawds, brokers, and usurers. A strong puritan, Hake also warns about the consequences of allowing Sunday sports, profanity, bawds and whores, and irreligious economic and social practices in the cathedral'; see 'Hake, Edward (fl. 1564–1604), lawyer and satirist,' ODNB, accessed 23 December 2022.

    Newes out of Powles | Churchyarde | Now newly renued and amplifyed | according to the accidents of the | present time, 1579. | and | Otherwise entituled, syr Nummus. | Written in English Satyrs. Wherein | is reprooued excessiue and vnlawfull see=| king after riches, and the euill | spending of the same. | Compyled by E.H. Gent.| Seene and allowed according to the| order appointed.| Horatius.| Aetas parentum peior auis tulit | Nos nequiores, mox daturos | Progreniem vitiosiorem.| Well get thy goods, and spend them well: | well gotten, keepe the same. | Beware of hoorde, hoorde hate doth bring, | and vile reprochfull name. | Non mordet qui monet,| Non vulnerat, sed sanat. STC: 12606.

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Dekker, Work for Armourers

STC: 6536

sigs Bv–B2v

...

What merry Gale shall wee then wish for? vnles it bee to Ferry ouer the Hellespont, and to crosse from Sestus to Abidus, that is to say, from London to the Beare Garden? The company of the Beares hold together still they play their Tragi-Comædies as liuely as euer they did: The pide Bul heere keepes a tossing and a roaring, when the Red Bull dares not stir. Into this Ile of Dogs did I therefore transport my selfe, after I had made tryall of all other pastimes.

No sooner was I entred but the very noyse of the place put me in mind of Hel: the beare (dragd to the stake) shewed like a black rugged soule, that was Damned, and newly committed to the infernall Charle, the Dogges like so many Diuels, inflicting torments vpon it. But when I called to mind, that al their tugging together was but to make sport to the beholders, I held a better and not so damnable an opi|nion of their beastly doings: for the Beares, or the Buls fighting with the dogs, was a liuely representation (me thought) of poore men going to lawe with the rich and mightie. The dogs (in whom I figured the poore creatures) and fitly may I doe so, because when they stand at the dore of Diues, they haue nothing (if they haue but there but bare bones throwne vnto them, might now & then pinch the great ones, & perhaps ver them a little by drawing a few drops of blood from them: but in the end, they commonly were crushed, & either were carried away with ribs broken, or their skins torne & hanging about their eares, or else (how great so euer their hearts were at the first encounter) they (stood at the last) whining and barking at their strong Adversaries, when they durst not, or could not bite them. At length a blinde Beare was tyed to the stake, and in stead of baiting him with dogges, a company of creatures that had the shapes of men, & faces of christians (being either Colliers, Carters, or watermen) tooke the office of Beadles vpon them, and whipt monsieur Hunkes, till the blood ran downe his old shoulders: It was some sport to see Innocence triumph ouer Tyranny, by beholding those vnnecessary tormentors go away with scratchd hands, or torne legs from a poore Beast, arm'd onely by nature to defend himselfe against Violence: yet me thought this whipping of the blinde Beare, moued as much pittie in my breast towards him as ye leading of poore starued wretches to the whipping posts in London (when they had more neede to be releeued with foode) ought to moue the hearts of Cittizens, though it be the fashion now to laugh at the punishment.

The last Chorus that came in, was an old Ape drest vp in a coate of changeable cullers (on horsebacke) and he rode his circuit with a couple of curres muzled, that like two footemen ran on each side of his old Apes face, euer and anon leaping vp towards him and making a villanous noise with their chappes, as if they had had some great suites to his Apishnes, and that he by the haste he made no lei=|sure to heare such base and bashfull Petitioners.

The hunny that I sucked out of this weede, was this: That by seeing these, I called to minde the infortunate condition of Soldiers and old seruitors, who when the stormes of troubles are blowne ouer, being curbd of meanes and so burying that courage and worth that is in their bosoms, are compeld (by the vilenesse of the time) to follow ye heeles of Asses with gay trappings, not daring so much as once to open their lips in reprehension of those apish beastly and ridiculous vices, vpon whose monstrous backes they are carried vp and downe the world, and they are flattered onely for their greatnes, whilst those of merit liue in a slauish subiection vnder them.

...

  • Marginalia
    • The Beares are badly putdowne.
    • Paris garden an image of hell.
    • Poore men contending with rich men, are as dogs fighting with Beares.
    • Innocence punished.
    • No slaue like the soothing vp of fooles in their vices.
  • Glossed Terms
    • charle n churl
    • pide adj pied, piebald
  • Document Description

    Record title: Dekker, Work for Armourers
    Publication: STC
    Publication number: 6536

    Thomas Dekker (c 1572–1632), playwright and pamphleteer, included this description of baiting at the Bear Garden from the perspective of one more sympathetic to the beasts than the audience – an attitude rare for the period. The pamphlet, Work for Armourers, was published during a period in his career when he was penning more non-dramatic works for wider publication; see further John Twyning, 'Dekker, Thomas (c. 1572–1632), playwright and pamphleteer,' ODNB, accessed 23 December 2022.

    WORKE FOR | Armorours: | OR | The Peace is Broken. | Open warres likely to happin | this yeare 1609: | God helpe the Poore, The rich | can shift. | Sauit toto Mars impius Orbe. | Written by THOMAS DEKKER. | [rule] | [device] | [rule] | LONDON, | Printed for Nathaniel Butter dwelling in Poules | Church-yard at the signe of the Pide bull, | neere S. Austins gate. 1609. STC: 6536.

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John Taylor, The Great Eater of Kent

STC: 23761

pp 16-17

...Now my plot was to haue him to the Beare-garden, and there before a house full of people, he should haue eaten a wheele barrow full of Tripes, and the next day, as many puddings as should reach ouer the Thames (at a place which I would measure betwixt London and Richmond) the third day, I would haue allowed him a fat Calfe, or Sheepe of twenty shillings price, and the fourth day he should haue had thirty Sheepes Geathers, this from day to day, he should haue had wages & dyet with variety; but he fearing that which his merits would amount vnto, brake off the match, saving, that perhaps when his Grace, (I guesse who he meant) should heare of one that ate so much, and could worke so little, he doubted there would come a command to hang him: whereupon our hopefull Beare-garden busines was shiuerd, and shatterd in pieces.

Indeed hee made a doubt of his expected performance in his quality, by reason of his being growne in yeeres, so that if his stomack should faile him publikely, and lay his reputation in the mire, it might haue beene a disparagement to him foreuer; and espeically in Kent, where he hath long beene famous, hee would be loth to be defamed...

  • Footnotes
    • him: ie, Nicholas Wood
  • Document Description

    Record title: John Taylor, The Great Eater of Kent
    Publication: STC
    Publication number: 23761

    John Taylor (1578–1653) both styled himself, and is commonly referred to, as 'the Water Poet.' He should be differentiated from the older John Taylor, also a resident of Southwark, who acted as a deponent in the 1620 court of Exchequer case of the Attorney General v. William Henslowe and Jacob Meade.

    As a poet, pamphleteer and polemicist (as well as a Thames waterman), Taylor produced numerous and varied publications over his adult lifetime. Bernard Capp comments: 'Like most writers, Taylor never achieved the recognition he thought his due. Having successfully constructed a comic persona as the rhyming waterman, it was an impossible challenge to be accepted as a serious poet.... Taylor pursued a successful literary career for over fifty years, demonstrating a remarkable range, facility, and inventiveness. He played a pioneering role in the development of nonsense verse, popular political journalism, and travel writing.... The travel writings, like almost everything he published in both verse and prose, had a strongly autobiographical dimension, and they provide a vivid picture of a bluff, shrewd, convivial man, with an appetite for life that won him friends across the political spectrum'; see 'Taylor, John [called the Water Poet] (1578–1653), poet,' ODNB, accessed 19 December 2022).

    The excerpt below recounts Taylor's failed attempt to produce an entertainment at the Bear Garden featuring Nicholas Wood, a Kentish man famed for his prodigious appetite, to meet the challenge of eating whatever was laid before him for several days in front of an audience.

    THE | GREAT EATER | OF KENT,| OR | PART OF THE ADMI- | RABLE TEETH AND| Stomacks Exploits of Nicholas Wood,| of Harrisom in the County | of KENT.| HIS EXCESSIVE MANNER | OF EATING WITHOVT | manners, in strange and true | manner described, by | Iohn Taylor.| [device] | LONDON, | Printed by ELIZABETH ALLDE, for | Henry Gosson, and are to be sold on London | Bridge. 1630. STC: 23761.

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Goodman, Hollands Leagver

STC: 1632

sig F2v

...and aboue all the rest, she was most taken with the report of three famous Amphytheators, which stood so neere scituated, that her eye might take view of them from her lowest Turret, one was the Continent of the World, because halfe the yeere a World of Beauties, and braue Spirits resorted vnto it; the other was a building of excellent Hope, and though wild beasts and Gladiators, did most possesse it, yet the Gallants that came to behold those combats, though they were of a mixt Society, yet were many Noble worthies amongst them; the last which stood, and as it were shak'd handes with this Fortresse, beeing in times past, as famous as any of the other, was now fallen to decay, and like a dying Swanne, hanging downe her head, seemed to sing her owne dierge;...

  • Endnote

    Dona Hollandia finds the ideal location for her brothel 'out of the Citie, yet in the view of the Citie, only divided by a delicate River' (sig F1), with a tradition of 'open Hospitality' and nearby playhouses that would help to draw customers – the Globe or 'Continent of the World'; the Hope, home to gladiators and wild beasts, and the Swan, now fallen into decay.

    For an abstract of this record and details of its transcription in other printed sources, see the related EMLoT event.

  • Document Description

    Record title: Goodman, Hollands Leagver
    Publication: STC
    Publication number: 1632

    Holland's Leaguer was a notorious seventeenth-century brothel run by a famous prostitute named Elizabeth Holland and located in the liberty of Paris Garden, south of the Thames. It was originally a fourteenth-century moated manor house, which is shown just to the west of the Swan on the 1627 survey of Paris Garden; see LMA: M/92/143, and P&P. The date of transfer of the lease of the manor house to Holland for her enterprise has not yet been found. What is certain is that the manor estate of Paris Garden remained in the possession of the Browker family until 30 April 1655, when Hugh Browker's son Thomas and his wife sold it to William Angell and Richard Taverner, both of London; see LMA: HB/C/199 and TNA: C 54/4055, mbs 10–13.

    This pamphlet, written by an otherwise obscure author named Nicholas Goodman, recounts the career of the enterprising but dissolute Dona Britanica Hollandia, set in the kingdom of Eutopia, but the parallels are obvious with the life of Elizabeth Holland and her enterprise in Paris Garden. Intriguingly, the timing of the pamphlet's publication coincided with the performance of a play with the same title during the same twelve-month period.
    Dean Stanton Barnard Jr suggests that the main purpose of the pamphlet is 'to present a parable of the Church of England from a Protestant point of view'; see further his critical edition, Hollands Leaguer by Nicholas Goodman (The Hague and Paris, 1970), 9–17.
    Selected pages, sigs E4v–G3r have been digitized, with brief explanatory notes, by the British Library.

    HOLLANDS | LEAGVER | OR, | AN HISTORICAL | DISCOVRSE OF THE | Life and Actions of Dona Bri- | tanica Hollandia the Arch-Mistris of | the wicked women of | EVTOPIA. | Wherein is detected the notorious | Sinne of Panderisme, and the Execrable | Life of the luxurious Impudent. | [rule] | [rule] | LONDON, | Printed by A.M. for Richard Barnes. | 1632. STC: 12027.

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Lupton, London and the Covntrey Carbonadoed

STC: 16944

pp 66–9

...

17. Paris-Garden.

This may better bee termed a foule Denne then a faire Garden. It's pitty so good a piece of ground is no better imploied: Heere are cruell Beasts in it, and as badly vs'd; heere are foule beasts come to it, and as bad or worse keepe it, they are fitter for a Wildernesse then a City:| idle base persons (most commonly) that want imployment, or else will not be otherwise imploy'd, frequeut this place; and that money which was got basely here, to maintaine as bad as themselues, or spent lewdly; here come few that either regard their credit, or losse of time: the swaggering Roarer, the cunning Cheater, the rotten Bawd, the swearing Drunkard, and the bloody Butcher haue their Rendeuouz here, and are of chiefe place and respect. There are as many ciuil religious men here, as thei're Saints in Hell. Here these are| made to fight by Art, which would agree by Nature: They thriue most when the poore beasts fight oftenest: their imployment is all vpon quarrels as vnlawfull, as vnseemely, they cause the Beasts first to fight, and then they put in first to part them: It's pitty such beastly Fellowes should bee so well maintain'd, they torment poore creatures, & make a gaines and game of it. The Beasts come forth with as ill a will, as Beares to the stake. A Beare-ward and an Atturney are not much vnlike, the Atturney seemes the more cruell, for these| baite but Beasts; but these men, their Clients: The Beareward striues to recouer the hurts of his Beasts, but the Atturney regards not the dammages of any, and they both follow the Trade for profit. Well, I leaue the place, and when I intend to spend an houre, or two, to see an Asse and an Ape, to losse and charges, I may perhaps come hither: But as long as I can haue any imployment elsewhere, I will not come to see such a great Company so ill occupied, in so bad a place.

  • Footnotes
    • frequeut: u for n
  • Document Description

    Record title: Lupton, London and the Covntrey Carbonadoed
    Publication: STC
    Publication number: 16944

    Donald Lupton (d. 1676) wrote this mostly 'light-hearted and witty' account of London and the provinces early in his career, a few years after serving as chaplain to the English troops in Germany. He went on to write more serious works on spiritual matters; see further, Stephen Porter, 'Lupton, Donald (d. 1676), clergyman and writer,' ODNB, accessed 23 December 2022.

    The extract below continues a tradition of moral disapproval of bearbaiting begun in the mid-sixteenth century.

    LONDON | and the | COVNTREY | Carbonadoed and | Quartred into seue- | rall Characters. | [rule] | By D. Lupton | [rule] | Hor. dè Art. Poet. | Breuis esse Laboro. | [rule] | LONDON. | Printed by Nicholas Okes, | 1632. STC: 16944.

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Taylor, Bull, Beare, and Horse, Cut, Curtaile, and Longtaile

STC: 23739

sigs B1v–B2 (More worthy and remarkable observations of the Bull)

...

For our Beare-Garden Bull, a Bull of war,
A stout, a valiant, and a Head-strong-Beast,
Which did not fight this 18 Moneths at least;
A Beast of mighty policy and power,
That at his Dog foes will looke Grim, and Lower,
Hee'le Knit the Brow with terror, in such sort,
That when he chafes most, then he makes most sport;
At push of Pike, he with his head will play,
And with his feet spurne injuries away;
Hee'l turne and wind as nimble as an Eele,
And kicke, and skornes abuses with his Heele;
Hee'le fling and throw, hee'le bravely tosse & turn,
Hee'le hurle and heave, and dangerously spurne,
Note but his valour, when hee's at the stake,
How he prepares himselfe the Dog to take:
His feet fix'd fast, disdaining once to stirre,
His wary eye upon the angry Cur.|
Whilst politickly with his Head he weaves,
And with advantage up his foe he heaves,
With such a force, that often with the fall
Hee's dead, or lam'd, or hath no power to sprawle.
Thus hath our Bull fought in his owne defence,
And purchas'd (for his Master( Crowns and pence.
And for that purpose may do so agen,
(I wish I had the knowledge to know when)
For since the time a Bull a Dog could tosse,
Our Beare-Garden had never such a losse:
But lets not lay the fault upon the Times,
But let us blame our selves, and cease our Crimes.

sigs D5–D5v (A Beare)

...

Being growne unto Maturity and strength,
And having hither past the seas, at length,
At Beare-Garden, (a sweet Rotuntious Colledge)
Hee's taught the Rudiments of Art and knowledge.
There doth he learne to dance, and (gravely grumbling)
To fight & to be Active (bravely tumbling)
To practise wards, and postures, to and fro,
To guard himselfe, and to offend his foe;|
Upon his hind feet, Tipto stiffe to stand,
And cuffe a Dog off with his foot-like hand;
And afterwards (for recreations sake)
Practise to run the Ring about the stake.
Whilst showts, and Mastives mouthes do fill the sky
That sure Acteon ne're had such a cry.
Thus Beares do please the hearing and the sight,
And sure their sent will any man invite:
For whosoer'e spends most, shall finde this favour,
That by the Beares and Dogs, hee's made a favour.
And as a Common-wealth, (oft by Ill-willers)
Is vex'd by prowling knaves, and Caterpillars,
So is a Beare (which is a quiet Beast)
By Curres and Mungrels, oftentimes opprest.
And tyde to what he doth hee's bound to see,
The best and worst of all their cruelty.
And for mens monies, what shift ere they make for't,
What ere is laid or paid, the Beare's at stake for't.
Though he be hardly drawne to't 'gainst his will,
Hee's bound to see and beare, and bide much ill
Besides the baiting of a Beare is rare,
Unlike the baiting of a Horse or Mare:
The Horse hath Provender, and Hey for Bait,
And doth in peace and quiet eate his meat;
When as the Beare, is Tugg'd, Lugg'd, Bit & Beaten
And eates no Bait, but likely to be Eaten.

...

D7v–D8v

...

Now once againe, pray lend your eyes and eares,
Ile write of baiting of the Bulls and Beares.
It is a Game so ancient, that I wot
Records can scarce shew when we usde it not.
Except now, in these sad infectious times,
That heav'ns just hand doth plague us for our crimes,
The Game is by aucthority supprest;
And Beares, and Bulls, and Dogs, have too much rest,
Through want of baiting growne to such a straine,
(Hard to be tam'd, or brought in frame againe)
Almost all mad for want of exercise,
Filling the Aire with roaring and with cries,
That those who neer the Bear-Garden are dwelling
Do heare such bellowing, bawling, yawling, yelling,
As if Hell were broake loose, or (truth to speake)
The Devils at foot-ball were or Barley-breake.
There's three couragious Bulls, as ever plaid,
Twenty good Beares, as er'e to stake was taid.|
And seventy Mastives of such Breed and Races,
That from fierce Lions will not turne their faces;
A male and female Ape (kind Jacke and Jugge)
Who with sweet complement do kisse and hugge,
And lastly there is Jacke an Apes his Horse,
A Beast of fiery fortitude and force.
As for the Game I boldly dare relate,
'Tis not for Boyes, or fooles effeminate,
For whoso'ere comes thither, most and least,
May see and learne some courage from a Beast:
And 'tis not only a base Rabble Crew,
That thither comes, It may be proved true,
That to the Beare-Garden comes now and than,
Some Gamesters worth ten thousand pounds a man.
For rough behaviour that's no great disgrace,
There's more hors-play us'd at each deere hors-race,
More heads, or legs, or necks, are broake each day,
At Cards, Dice, Tables, Bowles, or foot-ball-play.
The Game hath been maintain'd, and will, we hope
Be so againe (now favour gives it scope)
For Kings, for Princes, for Ambassadors,
Both for our Countreymen, and forreigners.
Which hath been held, a Royalty and Game,
And (though ecclips'd) will be againe the same.
But now (to make an end) must be explain'd,
How it the name of Paris-Garden gain'd:
The name of it was from a Royall Boy,
(Brave Illions fire-brand, wracke and sacke of Troy)|
Paris (King Priams sonne) a sucking child
Was throwne away into the woods so wilde,
There that young Prince was cast to live or perish,
And there a Bear with sucke, the babe did cherish;
And as a rare memoriall of the same,
From Paris, Paris-Garden hath the name.
Those that will not beleeve it, let them go
To France, in Paris, they may find it so,
Or if not there, let them looke narrowly,
In Mathew Paris famous History.
And that we have obtain'd againe the Game,
Our Paris-Garden Flag proclaimes the same.
Our Beares, and Bulls, and Dogs, in former state,
The streets of London do perambulate,
And honest sport, and lawfull merriment,
Shall thrice a weeke be shew'd, to give content.|

Heere followes the Names of the
Bulls and Beares at the Beare-
Garden now.

The Bulls are,

1 Goldilocks.

2 Emperour.

3 Dash.

4 Iugler.

The Beares are,

1 Ned of Canterbury.

2 George of Cambridge.

3 Don Iohn.

4 Ben Hunt.

5 Nan Stiles.

6 Beefe of Ipswich.

7 Robin Hood.

8 Blind Robin.

9 Iudith of Cambridge.

10 Besse Hill.

11 Kate of Kent.

12 Rose of Bedlam.

13 Nan Talbot.

I4 Mall Cut-Purse.

I5 Nell of Holland.

16 Mad Besse
17 Will Tookey
two white Beares

18 Besse Runner.

19 Tom Dogged.

If any will have one of these, or some,
Or all, let them to our Beare-Garden come:
These beasts are for their service bound & tide,
And there their pleasures may be satisfide.

sigs E3v–4

...

But leaving stately horses, it is found þ
The Bear-garden is circular, or rovnd,
Where Iack-an-Apes his horse doth swiftly run
His circuit, like the horses of the Snn
And quicke as lightning, his will trace and track,
Making that endlesse round his Zodiacke,
Which Iacke (his Rider) bravely rides a straddle,
And in his hot Careere perfumes the saddle;|
Hee's active, and hee's passive in his pace,
And sprung from ancient and approved race,
His grandsires grandsire, was begot perforce,
Between the Night-mare, and the Trojan Horse,
That female Horse of Sinon, in whose wombe
A hundred well-arm'd mad Colts had their roome,
Which being soald, spoild Troy, with sword & flame,
And from that Jade, our jade descent doth claime,
For (as his parents oft have done before)
He alvvayes keepes a jadish tricke in store.

FINIS.

  • Footnotes
    • (for his Master(: closing parenthesis inverted in error
    • Mathew … History: the Chronica majora of Matthew Paris, English Benedictine monk and chronicler
    • 16 … Tookey: 16 and 17 linked by brace pointing to the right
    • þ: refers to a note, one of two at the foot of the leaf, reading: Vpon the Bearegarden Horse
    • Snn: for Sun
  • Glossed Terms
    • acteon n action
    • rotuntious adj rotundious, round, rotund
  • Document Description

    Record title: Taylor, Bull, Beare, and Horse, Cut, Curtaile, and Longtaile
    Publication: STC
    Publication number: 23739

    John Taylor (1578–1653) both styled himself, and is commonly referred to, as 'the Water Poet.' He should be differentiated from the older John Taylor, also a resident of Southwark, who acted as a deponent in the 1620 court of Exchequer case of the Attorney General v. William Henslowe and Jacob Meade.
    As a poet, pamphleteer and polemicist (as well as a Thames waterman), Taylor produced numerous and varied publications over his adult lifetime. Bernard Capp comments: 'Like most writers, Taylor never achieved the recognition he thought his due. Having successfully constructed a comic persona as the rhyming waterman, it was an impossible challenge to be accepted as a serious poet.... Taylor pursued a successful literary career for over fifty years, demonstrating a remarkable range, facility, and inventiveness. He played a pioneering role in the development of nonsense verse, popular political journalism, and travel writing.... The travel writings, like almost everything he published in both verse and prose, had a strongly autobiographical dimension, and they provide a vivid picture of a bluff, shrewd, convivial man, with an appetite for life that won him friends across the political spectrum'; see 'Taylor, John [called the Water Poet] (1578–1653),' ODNB, accessed 19 December 2022.

    Bull, Beare, and | Horse, Cut, Curtaile, | and Longtaile. | VVith Tales, and Tales of Buls, | Clenches, and Flashes. | As also here and there a touch of our | Beare-Garden- sport; with the second part | of the Merry conceits of Wit | and Mirth. | Together with the Names of all | the Bulls and Beares. | [rule] | [ornament] | [rule] | LONDON, | Printed by M. Parsons, for Henry Gosson, and | are to be sold at his shop on London | Bridge. 1638. STC: 23739.

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